My idea: an Indian Paintbrush.
I began with my favorite style: thick, dark outlines, with thin, separating lines inside. I like pieces, and I like texture. The paper, by the way, is something I saved from a purchase at Bath & Body Works.
Next I brought in the color of the Indian Paintbrush, using Prismacolor. I went off of a picture that I had taken of an Indian Paintbrush in East Texas, and here's the thing that I've learned: It really doesn't matter the exact of what you see, the perception is all that counts. There are many lines of color that can go into this particular drawing, but only a few types of color and types of stroke create an impression. At least, that's what it seems to me.
Finally, the leaves. I simply blended types of grey with a darker, hunter green, and a brighter, lime green. I've been working with colored pencils for about four years now, on and off. I've yet to really embrace their potential (I've seen AH-mazing stuff done with color!), but I'm surprised that my idea here worked - I didn't think grey and green would blend well, certainly not purple and pink...
Here I added the background, a sort of addition that was intended to emphasize the focus (the flower). I'm not sure how much this has worked, but it's interesting that I seem to go for bold, bright colors, with dark, detailed lines along with them. It's difficult to tell in this picture, but the leaves here are embellished with thin lines.
I brought in some acrylic paint, blended it along the outside of the leaves, and that's it! The piece took me about a day and a half to finish, I'd say about 8-10 hours total. Oh, and yes, I was watching Memoirs of a Geisha, if you were wondering!
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